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The Room on Pico Boulevard That Won't Stop Reinventing Itself

August 27, 2026

Marcus Jernmark's first night in Los Angeles, he had dinner at Bicyclette on Pico Boulevard. Four years later, almost to the day, he opened his own restaurant in that exact room. Same address, same four walls below street level, completely different food.

That's the detail that made me look twice at what's actually happening on this stretch of Pico in Beverlywood. It would be easy to write the standard "new restaurant alert" post here. Lielle is worth knowing about on its own merits. But the more interesting story is what this one address has been doing for years, and what it says about a neighborhood that doesn't usually get credit for having a dining identity at all.

A Room With a Memory

9575 West Pico Boulevard has had more careers than most people in this business. Long-time residents will remember it as Sotto, then as Picca. More recently it was Bicyclette, the French bistro from Walter and Margarita Manzke. Now it's Lielle, and a second concept called Marée is set to open upstairs in the same building later this year, a French room stacked on top of a Nordic one, in a space that has already worn at least four identities.

That kind of churn usually reads as instability. Here it reads more like a testing ground. Whatever concept is working in Los Angeles at a given moment, this room has hosted a version of it, Italian, then Peruvian-Japanese, then French bistro, now Scandinavian by way of California produce. The building didn't change. The neighborhood around it didn't change. Only the kitchen did.

What's Actually in There Now

Lielle comes from a chef whose résumé reads like a tour of the world's most decorated kitchens. Jernmark has cooked in three Michelin-starred rooms in three different countries: Restaurant Frantzén in Stockholm, Restaurant Zén in Singapore, and Per Se in New York, where he also co-owned Aquavit. That's the kind of pedigree that could easily translate into a stiff, formal dining room. He built the opposite.

The space itself is subterranean, 42 seats, with cork-lined barrel-vaulted ceilings and wine-toned leather banquettes that give it the feel of a wine cave rather than a hushed tasting-menu shrine. The menu is a four-course prix fixe without a formal wine pairing attached, and it changes monthly to track what's actually in season. Recent dishes have included BBQ abalone with seaweed rice and fermented hen of the woods, and aged California squab with yuzu pepper and bitter greens. Jernmark has said plainly that the rigid, white-tablecloth tasting menu format doesn't really work on Angelenos, and the menu structure here reflects that. It's open for dinner Tuesday through Saturday, 5 to 8:30 p.m.

The interesting design choice isn't the food. It's the decision to keep the room's bones and just change what's cooked in it. Four concepts, one basement, one address that keeps getting recast rather than demolished.

The Corridor That Doesn't Rotate

Walk two minutes in either direction on Pico and the turnover stops entirely. Beverlywood sits inside the broader Pico-Robertson area, which has one of the most stable cultural identities of any commercial strip on the Westside. This is the heart of the city's Jewish community, with kosher restaurants and markets, day schools, and several synagogues that have anchored the corridor for decades, not months. None of those institutions are chasing a food trend. They don't need to reinvent the room every few years because they were never trying to be the newest thing in Los Angeles to begin with.

The neighborhood also runs on the Westside Jewish Community Center, which has offered programs and activities for residents for years, functioning less like a business that needs refreshing and more like a fixture that residents build a week around. It sits in the same category as Rancho Park Golf Course and Cheviot Hills Park just to the east, both of which serve Beverlywood residents without ever needing a relaunch or a new chef.

Here's the split, in short form:

What keeps changing What hasn't
The concept at 9575 W. Pico Blvd (Sotto, Picca, Bicyclette, now Lielle, soon Marée upstairs) The kosher delis, bakeries, and synagogues along Pico-Robertson
Chef and cuisine inside that one basement room The Westside JCC's role as a community anchor
What's trending in LA dining media Rancho Park Golf Course and Cheviot Hills Park as weekend fixtures

Why the Turnover Stops at the Door

This is the part that's easy to miss if you only skim the restaurant press. The story of "constant reinvention" belongs to one specific commercial address, not to Beverlywood as a whole. A single ambitious room on a busy boulevard can cycle through four concepts in a decade because it's built for that kind of attention, a street-facing space on a major corridor, sized for a chef who wants a stage. The residential blocks a few streets over, and the older institutions that have served this community for generations, were never built for that kind of churn and don't need it.

That's actually a useful thing to understand about how a neighborhood like this works. Beverlywood doesn't get much attention in the citywide dining conversation, and when it does, it's usually because of whatever is happening in that one room on Pico. But the neighborhood's actual character, the JCC calendar, the walk to Rancho Park, the corridor of longtime kosher businesses, isn't determined by who's cooking at 9575 West Pico this year. It's determined by what's stayed exactly the same while that address kept changing hands.

What This Means for Tonight

If you live in Beverlywood, the practical takeaway is simple. Lielle is new enough, and specific enough, that it's worth booking ahead rather than walking in, especially given the four-course format and the limited 42-seat room. If you're looking for something with more history and less turnover, the rest of Pico-Robertson is exactly what it's always been, and that consistency is its own kind of draw. Either way, this is a stretch of boulevard where the newest thing and the oldest thing sit within a few blocks of each other, and both are worth knowing about on their own terms.

If you're the kind of person who tracks a neighborhood this closely, whether it's a restaurant's fourth act or which streets have held their character for decades, that's exactly the kind of granular, on-the-ground read that Mark Gallandt brings to Westside real estate conversations too. Let's Connect when you want that same level of detail applied to a home search.

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